Singing Balance: Techniques and Emotions
Can you name a song that doesn't effect your emotions? One that doesn't force you to reminisce over a heart ache, psyche you up before a workout, or just makes you want to sing along with the speakers blasting? Whether you are a rising star or a casual cocktail bar singer "in the shower", you have to admit to the acceleration you get when you're belting out your favorite song. This is something we should all have the freedom to enjoy.
Of course there is always room to improve. While some are happy with their voice, others perhaps in hopes of a career, desire to improve their role in the choir, or are trying to claim the title of king or queen of karaoke in their home town, are either studying under a vocal coach, attending a school, reading books, or learning through a home study course. Whatever the case, don't allow yourself to get lost in the technical aspects.
Especially as some time has passed in your singing progress. Like learning to drive a manual stick shift vehicle, the process is one of awkwardness, and requires focus and tedious, repetitive action to master. As you master the various techniques such as breathing, posture, pure vowels, tone emanating through the open throat, articulation of natural-sounding words, all becoming second nature, it's vital that you find balance.
It's this balance between freedom and discipline that we need to be familiar with. In other words, too much focus on freedom can distract you from your technical base. Conversely, too much emphasis on on discipline can lead to a loss of confidence and spontaneity.The expression balanced with the parts that make up the singing, not the singing itself. We don't concern ourselves with all the moving parts of a motor when driving our car, neither can the motor start without the driver turning the key.
The point is, not to become overly conscious to where we are over thinking. Remember that singing is about expression. You need to find technique that is suitable to your temperament and talent. Especially as we try and apply our skills to a specific song. Although we can approach the song with new found skills, we still want to avoid trying to sound like the original artist.
Emotions are what color the voice. Therefore we must allow our own emotions to come through, as if you or I were expressing the words, as we rightfully are. Try not to get hooked up on mimicking someone else. Make it your own. Create your own spin on a song. A lot of times you'll hear an old song redone in a new style. It gives this old song new life. This is what separates the artist from the copy cat. This will also increase our confidence, and lessens our fear of stage fright while maintaining our joy. Also keep in mind that no one is perfect. You need the grace and the courage to risk yourself emotionally. There's always room for growth. This is the true freedom of singing.
Would you criticize a child for singing out of key at the Christmas concert? Or commend them for getting up in front of a crowd despite their fears? The point is: perfection is completeness not consistency. Even the greats are always striving to improve their art. But does that hold them back from their next album? It can be a head game, so be aware of it.
Below is a great example of a professional that finds that balance and shows us how to project those feelings in song: